Thursday, March 22, 2012

free association


Buy The Spider King's Daughter here • Read this article, and let me know how it makes you feel

When I was seventeen I still didn't know what I wanted to do with my life. At twenty-more than-one, I have stopped trying to figure it out. (I lie.) I take each day as it comes and I try to draw comfort from the knowledge that I can not control anything.

The book launch was great. I was really excited to be there. She remembered me - smile - she called me the t-name - cringe - but luckily I corrected that in time for the signature, the message of which really warmed my heart - absolute truth.

I walked out with the feeling that I'd left something behind forever, finally. It was bittersweet. The definition of that word has something to do with relief and ... remorse? I think so. If it doesn't, it should.

I hung out with three of my classmates the weekend before. One asked me, "How many times have you been in love?" I didn't know the answer. I said twice, but I think that was a half-truth. I think it is also never, and also forever.

I'm glad to be home. I'm afraid to be home. I keep thinking of my tiny room, with my tiny bed, in the terribly cold weather that freezes my scalp to dried flakes, and calling it 'home'. This scares me more.

Peter Blegvad said, "Cultivate your flaws; they're the only unique thing about you."
I think your fears are a much richer source of inspiration.

Freud says there is no cure to symptoms, they only get transferred. I get that. Which, of course, means that I have transferred my fear of not understanding it to my primitive need to kill my father and sleep with my mother. Wait - that's not right.

I can still hear Alina's voice saying, "I don't buy it."


Chibundu Onuzo reading from her novel

Signing my copy :)

filler, non-filler

I handed in my first portfolio on the 13th of February. I got my first scores on the 14th of March.

The final draft of the accompanying essay started out like this:

In class one day, George Ttoouli asked, “why do you write?” I still don’t exactly know. My reply that day was, “because there’s nothing else if I don’t; because there’s something in my head that I have to let out to get to what’s in my heart.” Even as I read the answer out from where I’d scribbled it on the corner of the page, I was afraid of what saying those words out loud would mean. Was I giving too much away, or too little? And what did that mean? This question continues to taunt me, unresolved.

But, months later, I find myself equally drawn to the less refined opening of the first draft:

The first story I handed in was a two thousand-word tale of a guy’s delusion and obsessive-compulsive disorder. He was painstaking in his pursuit of a woman and completely misunderstood her response to him as positive. It was a disjointed piece, but mostly it was an experiment in character creation. I wrote down a list of random actions – folding clothes, dancing, writing by hand – and described them in detail, exaggerating them all for comic effect. 

I think I'm hoping that I would one day find a way to write that story, properly. But for now, here's a few hundred words of the very rough first draft. It's called Fold:

He folds his bed sheets - even those with the elastic bands at the edges that fit snugly around the mattress. There is a step-by-step process, and as he holds them up his lips part and close in time to the rhythm of the numbers. One: fold in half. Five: tuck in sides. Eight: pat down lovingly. And he does, every single time. There is a proper way to fold socks, did you know? Steps that involve turning and tucking - and very little twisting.
All five by eight by something of his wardrobe is a mother's fantasy and a teenage nightmare, the sort of place that would never know what dirty underpants looked like, much less smelled like. Every square inch of it is carved, parted, and painstakingly allocated to different items of clothing separated by two point five inches of inroad; and his clothes emerge from within its walls with their collars up in the air, haughty, crease-free and perfect - an origami dream. 
He stands in front of the mirror now, brushing specs of dust off his shoulders repeatedly, his collar perfectly square. He wiggles a foot, dislodging a stone from his sock, nervously bouncing from toe to toe. Stubborn little rock, it appears. He jerks his shoulders, "One two, one two," and shifts his feet, "Hop, step! Hop, step!" And then he stops, panting, red, sweaty. One wonders why he would not just put on another pair of socks.He hop-stepped all around his date that night, and she side-stepped him. But she was laughing, and so he did too, and they stayed on the dance floor for hours, "hop, step, side, step!” He walked her home, and he bent over and kissed her on her lips. This time there was no shuffling. 
He wooed her by hand as in the old days, by hand and pen and prose. He would sit and look out of his window at the green algae growing on the walls of the neighbouring buildings. He would search with his eyes for a spot of beauty between the garbage dumps and the streets, crowded and noisy with the sound of hunger and impatience, and in the end - not giving up, never giving up - he would turn his eyes heavenward, where the glare of the cynical sun would cause him to shut them in haste. But what better source of inspiration than his mind's eye, a private viewing of the object of his attentions, undiluted by the glare of reality? There, she was slender. And not thin - but healthy. But not fat - merely full-figured. But not curvy - only … perfect. There, she was beauty, undefined and undefiled. What is reality to a lover's eye but an inconvenience? 
With his fingers measuring the exact area around the mouth of his disposable pen he would write, carefully closing his o's, giving his y's pretty little mermaid tails, but what to do with his u's? He practiced the important letters on a blank sheet, marking out his love in puddles of black ink and deeply indented pressure points, working through e's and r's and h's and t's and a's that looked like d's. And only after she received the letters (the 'D' curled into the 'e', the 'a' and 'r' unintelligible from each other) did she give him her phone number.

I did not hand this in for my portfolio, you'll be relieved to know. But it is fun to go over my starting point, so to speak, and note where I've changed my mind, lines I would cut without hesitation now, things I would cringe to reread.
Of course, there is a life lesson in everything I write, because my mind only bounces thoughts of unprecedented profundity. Ha. Today's lesson is this: Look to the past only to learn, not to wallow. It is a lesson I have not yet learned to learn.

Saturday, March 17, 2012

You think, you wonder, you ponder, you flash back, you dream, you psychoanalyse, you stop, you start all over. You eat some cereal and wonder why you don't have a burning passion; what that means. You blame your mother, miss your brother, wish for another. You eat something bad, maybe ice cream. Maybe order food you can't afford. Then you freak out, worry, and feel guilty. So you pray. Then you go to sleep feeling sorry for yourself.
How about this: how about you try something new?



Friday, March 16, 2012

Sorries.

     I am upon the recent learnational information - facilitated by regurgitated mental recylings - that a person possessing of a singular circumference about hers' throbbing blood pipes - the one of which is life re-given through beats perpetuated by air - that is to say, or to speak of, one with whom there given, is not a second of anything: not a second dish on the same table as a meal, a duplicated toothbrush in a room of bathe, or a differing thread of hair follicles finding its way into hers' drainage pipes - the one of a shower, or of any other, perchance, you may be wont to conceptualise in your medullatory processes, - that such a person may make manifest of singularity and its related symptomania through a manner of guises. 
     Should that less enjoyable oneness, out of a potentials for twosies, be underwent by, say, myselves - because, far be it from me to make suggestive generalisms in the regard of otherious ones upon the individual basifier of mutual breastiliousness, - should I be the subject upon which this soleness bees uponded, then my personage might respond in all, or several of, the following ways:

1. Re-appropriation and/or alteration of historicals:
     Herein a memorial might adorn itself upon a loosened thought, and mask it, such that it loses its visual similitude with factual elementation. Such a one might make manifest of a beige-bland thought piece via the re-physicalasation of a rainbow brush, or withdraw from a cerebral cache a blackened rock tendered as woulds a gemstone.

2. The afrore-written mental regurgitancy, which requires minimal exploratoriness, as the recalling of thinkational history wears a diaphanous sheet through which it can be interpreted.

3. Limitated ability of viewing factuals as factualized:
     Projecting unfurled wishes upon the lenses of time continuous occurrences, with a tendency therein of preparing self-denuncifying accusations for matters unrelated to personity or any interconnected selfishness.

4. Selves-enforced visual imaginings:
     Distortion and reconstruction via projection of wishings, in a bid to recycle dead emotionals, thus creating new and unrelated emotionalises masquerading perhaps, as relations to foregone pastness. These spring buds of unrelated ems propagate and proffer themselves upon a past, or conveniently present presence, resulting in a thorough misappropriation of feelifyers.

5. Theorizing of singularity - an effort of conqueration turned submersion:
     (Or, displacement. Or, denial.)

Thursday, March 15, 2012

Straight out of a Styles novel.


So this one goose was like, Sqwaaaack, bitch, sqwack!
And his friend was like, Moo, and ducked its head under a feather.
And then it was like, What the fuck man, fucking sqwack, you. Sqwaaaaaack bitch! How dare you fukcing sqwack?
And his friend was like, Moo, moooooo! (He’s being struck by lightning. Set on fire. Flayed alive.)
And then they turned their backs on each other.
True story.

Wednesday, March 14, 2012

It's here!!!!

I've been waiting for this book since 2009. 

Now I just need to get some sleep, make some dinner, do dishes, read for tomorrow's class, go through my MAW handbook to find out what my most recent scores mean, deep-condition my terribly flaky hair, go through tomorrow's anthology fundraiser and the busy weekend after, and then get it signed on Monday at the launch.
Whoop!

Buy it here

X_X


Tuesday, March 13, 2012

The Spider King's Daughter

White noise

If it's true that I cease to exist when no one thinks of me, can it also be said that I only exist in other people's conceptions of me?

Wouldn't I rather not exist than be:

The daughter who won't get married. The one who won't get a real job. The sister who won't come out of her room. The friend who acts like a white girl. The one who thinks her stringy hair is beautiful. The bad friend who never calls. The one who talks too much. The quiet girl in the corner. The weird one. The yellow one. The one who has no future ambition. The one who's always up for a night out.

?

Validation isn't always positive.

P.A. stands for...?



Monday, March 12, 2012

30 Rock makes me:

Happy when I'm feeling sad
Happier when I'm feeling happy
Happiest when I'm drunk.
It makes me forget, when I'm hungry, 
And gives me the strength to decide to cook when I start to scream at myself from starvation.
It makes my bed seem nice and comfortable, it makes me forget I am in a nicely furnished cube a thousand miles away from my friends. 
It makes me smile at the clothes on my carpeted floor, and even - yes, it even makes me want to pick them up and get them laundered.
30 Rock makes me smile when I've just had a bad dream, makes me forget I'm cranky when I haven't had enough sleep, and makes me believe I'm beautiful when I smile.
It makes me want to fondle my muffin top, marry Alec Baldwin and swap brains with Tina Fey.
I'm glad it took me all these years to discover it, because now I have them all saved up and don't have to wait until I catch up. 
And when I do, I'll just WATCH THEM ALL OVER AGAIN!

Wednesday, March 7, 2012

Home is where my mum is

My mother said to me, "Your room is still here. It's home now, of course you're always welcome."
She sounded disappointed, as if she'd rather I only ever dropped by periodically, henceforth, on my way to or from my husband's house; as if my room had become a temporary holding place, as it would otherwise be socially unacceptable for me to move directly to his house.

If I had said, "But...it is my room!" she wouldn't have told me that it was her husband's house, or that I was getting old, or that she was waiting for me to bring mine home, or that she was praying against the curse that is late marriage, or that she already had plans to convert my temporary holding space into a sewing room, or something like a greenhouse, like we had at the old house, since it was conveniently close to the roof, and to the sun.

Instead I said, "Don't worry mummy, I actually have a break from school; I won't be behind in my school work," and she said, "You're old enough to know when you can take time out now, what's my own business?" then she finished off with, "You're welcome at home anytime."

Thanks, mum.

Tuesday, March 6, 2012

I'm scared of my blog.

It's true.
The written word can be much, much scarier than a blank page.
So, erm. Yea.

Monday, March 5, 2012

Nice going

Two days ago I said I'd write here everyday.









I'll do it tomorrow, this time.

Saturday, March 3, 2012

Maureen's MAWs

Every week in class, my notebook ends up looking like a scribbled mess. I doodle, I change my writing, I lol, and I document bits of the absolute awesomeness I'm lucky to be a part of.
In this post I'll share a few of the 'T-shirts' our time together has created, funny one-liners that come out unintended and crack the entire group up. Enjoy :)

• I've written down: Stickers are as important as god.
• Of world destruction: This hasn't happened to me yet, but of course it's in our future.
• Of Sims: You get to mess up people's lives; it's kind of like being a parent.
• M: I promise to be better behaved. S: Don't you dare.
• I just like making really small things big.
• There may be a 'z' in there; it's a Hungarian name.
• So, great stuff. Let's scare your mother even more.
• I kinda want a nastier shrew.
• Something's happening but no one else acknowledges it - that's the story of my life, really.
• I've built up my confidence in all sorts of ways, which is why I've turned into a monster.
• The fast parts are fast, action parts are actiony, good stuff is good.
• So you want her to sex it up?
• I feel like I'm Robin Williams, I can't see the food.
• I really wanted to spend more time drowning.
• You have to tell us all about when you went invisible.
• You keep stopping when you know you're supposed to be giving me something.
• I can't really use my teeth that well.
• It's a man with a box, on a mountain, for two thousand words.
• It seemed to be the right kind of landscape for a monkey in an airship.
• I kept seeing a jar of tomato sauce crying on the chocolate mountain.
• We don't want too much shark music.
• Smells like a deer's bark.
• You want more boners, R, is that what you're saying?
• I don't know, maybe because I'm an adult.
• R: Is there like a thing? C: There are many things. R: I want a big thing.
• Do you have anything to add, sugar tits?
• I prefer watching him to listening to him.
• Maybe she's an ant.


Gotta love 'em.

Friday, March 2, 2012

Kokoro to'n j'efo

After I titled my story "The Insect that eats the Leaves..." and received blank stares from my class, I was advised to consider what the message of the Yoruba proverb really is, in an effort to retranslate accurately.
I told my dad, "Daddy, no one understood what it means! I said it meant 'the insect that eats the leaves lives on it.' I said it meant the problem of a thing comes from or lives around it. But no one got it, really." 
My dad said, "Ah. Okay, ehn, I'll think about it and let you know."
So.

It's like Ayi Kwei Armah's Chichidodo:
Ah, you know, the chichidodo is a bird. The chichidodo hates excrement with all its soul. But the chichidodo only feeds on maggots, and you know the maggots grow best inside the lavatory. This is the chichidodo.
The Beautyful Ones Are Not Yet Born (1968) (Oxford: Heinemann, 1969), 45.

... but not quite, maybe. I don't know. If anyone has a clearer translation please contact me. Thanks.

Meanwhile, here's a section from the story I submitted. The piece - what we call a good first draft - is an experiment in building a story with seemingly unrelated sections. People thought about Crash and Magnolia when they read it. Hopefully I can make it work on a bigger scale.

***
Turn by Turn

The long queues at the bank are good for some things (no, not for getting anyone to lend you a pen.) One learns that oral hygiene is a relative concept, that many people still favour chewing sticks to Close-Up toothpaste, that brown stains on white teeth are symbolic of old age, laziness or lager, and that the most efficient way to communicate with a stranger is by welcoming yourself into their personal space and breathing directly into their nostrils.
It is neutral ground, where no one cares where your shoes are from, or that your designer hand bag is really a knock-off. On the contrary, it is a safe place for anyone who has ever used a glitter pen to engrave the word ‘Gucci’ unto their sandals, or jewellery. Everyone stands in line, willingly dispensing effervescent personal odours and waiting for their cheques to be confirmed. But then they come in, our big Ogas, whose rotund bellies are too heavy for extended periods of standing or solitary strides.
On the left is the Senior Assistant in charge of Briefcase Holding, closely followed by the Special Assistant on Mobile Phones (SAM – The ‘p’ is silent.) SAM’s belt is adorned with three phone cases, but the only noise that comes out of them is a low buzzing that vibrates against his groin and hip and butt – his personal phones must remain silent. In his hand, he carries a Virgin Atlantic bag with the words ‘Upper Class’ written on it. It is inside this emblem of exposure and extensive international travel that Oga’s phones lie. There is a phone for every network, state and mistress – Oga must always be reachable. All his phones are ringing.
He nods at the counter on his way to the lounge chairs in the manager’s office. Tellers scramble for account opening packages, deposit and withdrawal-slip booklets, and the Chosen One gathers the lot and joins his entourage. The chosen one is a woman, but you already knew that. The men grumble in their seats, amidst only slightly disgruntled women. When the transaction is over they would all share the thank you gift. Last time there was enough in there to top up all their phones and buy lunch. This life, the women say, is turn by turn. Tomorrow it could be you or me. The men reply, “It is always your turn.”
The queuing customers add to the conversation by expressing their impatience. The tellers punish the interruption by saying, “the server is down, there will be further delays. Please make sure you pre-confirm your cheques before you queue up, or you’ll go back to the back of the line.” And no, they are not authorised to make enquiries; they only work there.
“Excuse me, sister,” someone is saying, “Oga upstairs say he want you to have his card.” It is SAM. On the back of the business card someone has written, ‘Sugar, so sweet like pap. Mweh. Chief.’
“Tell him I’m on the queue.”
“Ehn?”
“I’m standing in line like everyone else, and I don’t have time to be hit on by an obese individual who perpetuates inequality among the people by flouting common rules of morality and mutual respect by ignoring the lines that have been created for orderly and fair customer relations.”
“Ah.” SAM scratches his head and returns to Oga Chief. He returns soon after and hands her a sleek Blackberry Porsche. “Oga is on the line for you, sister.”
“Hello?”
“Baby,” he starts. It sounds like ‘bebe’. “This phone you are talking on, it is my personal own. I have five other like it; I am even calling you from another one. You know it, the Blackberry by Porsche? It is five hundred thousand naira in the market now, yes!”
“Look, with all due respect, there are basic rules of decency. I do not appreciate being spoken to by a man who believes that he can buy a woman’s affection just by quoting the price of his ill gotten wealth.”
“Ehn?” There is a click.
Another phone rings. SAM picks it up. He listens. He nods. He puts it down. “Sorry, sister, Oga say to tell you the battery have die.” He eases the phone from her fingers, but leaves the business card.
Later, on his way out, Oga winks at her. She tucks the card into her designer bag.

This isn't the sort of thing that happens to someone like you.

Today, I had a glass of wine, thawed out my stew, ate well, talked to my friend on the phone, tried to write a story and booked a ticket to London.

Yesterday, however, I got a book signed by the author:

Someday this'll be worth something.

Thursday, March 1, 2012

The chink in his armour

When I moved here for school, I invented new insecurities to bring along with me. 
I thought, for the first time I'll be the black, African girl. I've never been 'black', never even been African; I'm Nigerian! I thought, well, I'll show them we're not that different just because we have different skin colours. I thought, would anyone ask me if I lived in trees, like they did my brothers? I thought, my accent. Will I adopt one? No. I'll just enunciate. No, I'll just edit out slangs. No, I'll just not talk too much. No, I'll just ... see how it goes. Yes. See how it goes. Will I meet any hot white guys? What'll that be like? Uh oh.
And so, when I got here, I disappeared.

Striving for neutral is the worst thing you could possibly do. 
Neutral emotions, neutral opinions... a universally accepted position that does not exist. 
We're all hiding under our own perceptions, having somehow convinced ourselves that everyone expects us to be an imaginary version of ourselves.

A few weeks ago, hours before it was due for submission, I allowed myself to write a story about home. I didn't know what I was doing; I'd only meant to try out the elusive thing that is Plot. 
The comments I got in class helped me realise that there was more to it... and a week later I took out my weave. Yes, because it was time, and yes, I would have anyway, but this time I allowed myself to leave my hair out for longer than I normally would have. And, to my surprise, I was okay. After a few days I actually forgot that I looked any different, until people commented on it.
And then I wrote pidgin and Oyedepo into my next story.

In class on Wednesday I watched writers connect with emotions they'd tried to hide from. Ashamed of our vulnerability, we employ different techniques for covering them up. We all live with insecurity; we all feel like maybe we're not good enough. All of us do, in some way, which means nobody is perfect. Nobody is a hundred percent confident, or self assured, so nobody is superior to, or better than us. 
So why are we so afraid? 

I'm going to put another weave in, because I like them. Because, now, I'm no longer hiding under the extensions. I will not always write about home, but now, I'm no longer restricting myself to seem neutral. I still do not want to be exoticised for my culture, but I no longer care - not as much, anyway.
But no, no hot guys yet.

PS: The 'Witch for Jesus' was real. See: